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Monday Writing Motivation: The geography of attention

Some literary advisors instruct you, as creative writers, to use real places in your fiction. If you’re using a particular location, then get the street names right. If your protagonist catches a bus, then make sure to get the number of the bus right, and its route right, and its destination right. In short, give your readers something they can research and verify. This week on the water But we forget that a description of a place in fiction is not something you’d find in an encyclopaedia. A...

I have never been a good political animal. At university, where ideology dominated most debate, I found myself perpetually wrong-footed – not because I lacked opinions, but because I kept noticing things that complicated them. This week on the water Let me give you just one example of what I mean. We – that is, everyone on the left – knew that apartheid was an evil system, imposed by racists who believed that their social engineering would meet all the challenges of a diverse and multi-racial...

There is a particular satisfaction in revision that the euphoria generated by your first draft rarely matches. There’s something about returning to a manuscript, with a scalpel rather than a pen in hand, that yields a kind of pleasure that is almost surgical – not despite its precision, but because of it. A surgeon approaches a patient with just one thing in mind: to make the minimum necessary intervention and produce the maximum effect. And that’s precisely what’s on a writer’s mind when he...

Hello Reader, My parents were golf fanatics, and my mom was fond of saying: ‘There’s nothing that humbles you like golf.’ I had a taste of that recently with my swimming. If you read an earlier newsletter of mine, you’ll know that I was part of an adventure swim from Seaforth to Fisherman’s Beach and back, which was turned back before the end because of rising swells and seal activity. At that stage, I was psyched and cocky, disappointed not to be doing the stretch from Windmill to...

The coot wars have begun, as they do every year at about this time. A coot, for those of you unfamiliar with the breed, is a small black water bird with a distinctive white face – and disproportionately large yellow-green legs and feet. Their claws are long, curved and murderously sharp. A coot is, in other words, a pocket-sized killing machine. This week on the water Every animal on earth, even the meekest herbivore, is moved to violence when it comes to the mating season. It’s obviously...

It’s not summer yet, here on the Great River Ouse – not quite, and doubtless there will be gloomy days ahead before it finally asserts itself. Yesterday, though, was a perfect forerunner of the real thing – and Trish and I celebrated by going kayaking to Cardington Lock, a mile or so downstream. We interspersed sessions of high-velocity paddling with more contemplative moments, stopping for coffee under the canopy of our favourite horse chestnut, its foliage dotted with its characteristic...

Hello Reader, There's a writing weekend coming up that's a little different from most – and it's happening in one of England's most beautiful corners. The Stow-on-the-Wold Writing Weekend takes place from 5 to 7 June at Benfield, a honey-stoned cottage on Sheep Street in the heart of the Cotswolds. But here's what sets it apart: before you arrive, I want to hear from you. Tell me what you're working on. Tell me what's giving you trouble – the scene you can't crack, the structure that keeps...

Hello Reader, The Creative Writing Skills That Make the Most Difference With Jo-Anne Richards & Richard Beynon | Free Webinar | 4 May If you've ever wondered which writing skills are truly worth your time — the ones that, once you grasp them, genuinely shift the quality of your work — this is the webinar for you. On 4 May, All About Writing co-founders Jo-Anne Richards and Richard Beynon are coming together for a free live webinar to share the creative writing skills they believe make the...

When I first started thinking about the Clatterbridge series, I called the opening novel Murder on the Allotment. It did the job. It told you there was a murder, and it told you roughly where. But every time I typed it, something nagged – a faint dissatisfaction I couldn't quite name. Yes, it followed the pattern established by scores of cosy murder mysteries available on the market and yet precisely because of that, it landed with the leaden thud of cliché. This week on the water So I did...

I had polio as a child. I walk on crutches. This is not, ordinarily, something I discuss in these essays – it sits in the background of my life the way any long-established fact does, unremarkable to me even if it isn't always to others. But lately I've been thinking about what it actually means, philosophically and psychologically, to move through the world in a body that other people notice. And I've begun to suspect that it has something to do with why I write the way I do – and, more...